Monday, August 23, 2010

Conservatives and Show Biz

Conservatives and Show Biz

“There’s no business like show business like no business I know . . .” (Irving Berlin)

You got that right, Irving, even if your next 2 lines, “Everything about it is appealing, everything that traffic will allow/ Nowhere could you get that happy feeling when you are stealing that extra bow,” no longer apply.

To the average American, show biz in the 21st century is far less appealing than it ever was and is less involved in projecting happy feelings than it is in proselytizing, demeaning our culture, and propagandizing.

Oh, add to that making money, BIG money.

I know that’s an overly broad and subjective allegation which must be tempered by many exceptions but it’s still difficult to refute that in A.D. 2010 the entertainment industry, show business, stage, television, and Hollywood, are more sociopolitically polarized than ever and is almost exclusively dominated by liberal-leftists engaged as deeply in outright or subconscious “educating” as in entertaining.

Consequently, show biz is a hugely challenging life for conservatives.

If a right winger dare advertise his or her politics, social views and mores, he and she are often shut out of entertainment’s inner circles and pathways to success and stardom. It becomes tempting for those wannabes with a conservative bent to either conceal their personal philosophies or to live lives of baldfaced lies.

Again, there are exceptions, there are always exceptions to general rules.

The late Charlton Heston, Clint Eastwood, Jon Voight, Kelsey Grammer, Gary Sinise, Patricia Heaton, and the good Baldwin brother, Stephen, come to mind.

However, they are generally very low key and non-combative in expressing their views–except for Voight of late–and they have earned their star status by virtue of dogged perseverence and talent that would not be denied.

Rumor has it that Robert Downey, Jr. is a closet member of that exclusive club of conservatives but he’s not talking.

Those conservatives made it, they became major and lesser celebs, not because of the welcoming arms of the show business set but in spite of oh-so-tolerant Tinseltown’s and television’s gilded doors that were closed to those who failed to hew to the leftist line. . .
(Read more at http://www.genelalor.com/blog1/?p=1856)

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